emgeetrek

A historical children's novel by a Ukrainian-Canadian author, based on Ukrainian teenagers and children forced into slavery during WWII. After watching her neighbors and finally her family getting dragged off by the Nazis, Lida, a Christian Ukrainian girl, is kidnapped along with her younger sister. They're immediately separated and Lida is sent to a horrendous work camp. She's skilled at sewing, which keeps her useful and so alive for a while. But then the Nazis need bombs more than uniforms...

This book is an impressive feat of walking the line between being honest and straightforward about how terrible conditions are while not being too overwhelming for children to read. Lida and the other girls endure and try to support each other. Lida gives a Jewish girl her crucifix necklace to help hide her identity, and an older girl advises Lida to lie about her age so she isn't killed immediately for being too young to work. The German seamstress Lida works with (an employee, not a prisoner) is occasionally casually kind to her, but also gets a gift of looted clothing from a probably murdered French woman, and gets Lida to meticulously remove the woman's stitched-in initials and re-sew them with her own. A Hungarian political prisoner, who gets better soup than the Ukrainians, advises Lida to say she's Polish, as that will improve her her food. Later, Lida muses, It seemed that just as there were different soups, there were different ways of being killed, depending on your nationality.

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The book is interesting as a depiction of an aspect of WWII that isn't written about much, a compelling read, and a moving story about some people trying to keep hope and caring - and rebellion - alive when others are being as bad as humans can get. It's part of a trio of books involving overlapping characters, but stands completely on its own.

The afterword says that Skrypuch based the book on her interviews with a survivor.

In a magical version of the medieval Middle East, a middle-aged single mom, who was once the notorious pirate Amina al-Sirafi, is dragged out of retirement for one final job.

This book is a complete and utter delight from start to finish. It has all the pirate tropes you could possibly want - sea battles! sea monsters! quests for magical objects! loyal crews! tossed overboard! marooned! - and sly twists on others. It's got great characters. It's got hilarious dialogue and character interactions. The world is wonderfully detailed and varied, full of plausible historical details and with a lovely faux-historical feel. There are stories within stories. It's all marvelous.

As a child, I had a book called Muslim Saints and Mystics, which was a translation of parts of the Tazkirat al-Awliyā, a collection of stories about Muslim saints written around 1200. It was funny and magical, and some of the stories-within-stories in Amina al-Sirafi have a similar feel. The novel neatly toes the line between dialogue that feels fairly contemporary and a plausibly historical mindset. Amina is horny as hell, but a serious Muslim who believes in not having sex before marriage; as a result, she's had five husbands. There's a major trans character, in addition to several gay characters; Amina has come across people before who prefer to live as the other sex, and takes it in stride without resorting to Tumblr-esque labels or attitudes.

I loved every moment of this book, and was delighted that though it has a reasonable ending, it is the start of a trilogy. It's the first book I've read by Chakraborty, and I'm excited to read her City of Brass series.

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